Movies on Enjoy SciFi

Blade Runner 2049

Tue, 03 Apr 2018 00:56:27 +0000

Today I read the Hugo Award nominations. Blade Runner, by virtue of it starting with the letter B, was the first film listed in the category “Best Dramatic Presentation, Long Form.” I know I shouldn’t be surprised, but I admit that I was.

I was looking forward to this movie. I posted back in May 2017 that I wanted to see it. In fact, I was really disappointed when I couldn’t see it on release day. I was terrified that it would no longer be in theaters when I finally got to see it on October 28th. And honestly, that fear was justified. It should not have lasted that long.

Blade Runner 2049: Who else is looking forward to October 6?

Sun, 14 May 2017 22:39:24 +0000

https://youtu.be/gCcx85zbxz4

“Your story isn’t over, there’s still a page left.”

Ryan Gosling. Harrison Ford. Ridley Scott. Yes, I’m hooked. I know what I’m doing this October. “Blade Runner 2049,” who’s with me?

[!spoiler]- It was very disappointing

“Arrival” — First Contact with White Male America

Sat, 25 Feb 2017 23:57:14 +0000

I just finished watching the movie “Arrival” which I really enjoyed. This didn’t really surprise me as the protagonist is a strong woman who is also a Linguist and it was a Science Fiction story about first contact. Now I admit, I made the obligatory “E.T.” and “Close Encounters” jokes during the film, but in general, the movie was engaging and interesting. I enjoyed the twist (spoiler: there’s a twist…) and was fooled along with most everyone.

Where are the Strong Women?

Sun, 15 Jul 2012 02:28:12 +0000

Nora Ephron didn’t direct Science Fiction movies. But her death is a loss to all of us, and especially women. She made movies that women like, movies for and about strong, caring women. Science Fiction movies, on the other hand, tend to be for, by, and about men. Even when women are in them, they are either glorified sex objects or men with breasts. Part of the reason Sigoourney Weaver was so funny in Galaxy Quest was because she was playing the only role women have had in most Science Fiction movies — the phone operator. It was especially ironic to cast her in that role when she’s best known as Ripley in the Alien movies. But Hollywood seems to forget women all the time. When the Avengers came out, 40% of the opening day tickets were bought by women, and yet the only strong female character was reduced to acting as a dogs-body and gopher for all of the other “real” super heroes. Why is this and why do women tolerate it? Yes, Ripley is a powerful female character, but even though I can name dozens of strong female protagonists in SciFi books, I can’t name even ten strong female characters in movies. Here’s what my husband and I came up with. We were able to come up with 9 when we included TV as well.

Brave

Tue, 26 Jun 2012 01:51:37 +0000

“Brave” (2012) Starring Kelly Macdonald, Billy Connolly and Emma Thompson Directed by Mark Andrews, Brenda Chapman, and Steve Purcell (Buy soundtrack) Brave is going to have a special place in my heart because it’s the first feature film my son watched all the way through in the theater. (I don’t count Indiana Jones and the Kingdom of the Crystal Skull because he was only a few months old at the time, and slept through the whole movie.) He and his father went to see Cars 2 last summer, but only made it through about 30 minutes before they had to leave. So, in order to be sure that we got to see the whole movie, we resorted to bribery (if he sat through the whole movie he got to go to Barnes and Noble afterwards) and chocolate raisins. And that worked. I’m not sure how much he really got out of the movie, but he did sit and watch the whole thing, only asking interminably if it was over yet during the credits. And I think he even liked it. Brave is a fairy tale, but not an insipid or sexist one. It is the story of a young girl trying to find her place in the world, which was not the same place her mother wanted her to enter. This is a common theme for both girls and boys — their choices might not be the same as their parents’ and they have to figure out a way to reconcile it. I particularly liked that this was a story about a girl. Pixar has been fairly boy-focused up until now, and I admit I wasn’t confident that they would be able to pull off a female main character, without going the Disney route of “reading” to prove she’s smart (Beauty and the Beast), annoyingly jealous and bitchy to prove she’s tough (Tinkerbell), or dependent on a big strong man (Snow White, Cinderella, Jasmine, etc.). So I went in expecting a standard girl-wants-to-be-boy type plot. But I was pleasantly surprised. For one thing, Merida doesn’t necessarily want to be a boy, she just wants more choices then her role as princess of the realm afford her. As the first born, her father dotes on her, and teaches her archery and how to ride and she uses this to her advantage when the other clans come trying to win her hand in marriage. If you are familiar with the record Free to Be You & Me you might remember the story of Atalanta. In it, Atalanta, the daughter of the king, is to be married off to the man who wins a footrace. She trains for the race as well, and on the day, is able to beat all but one of the contenders — coming in first place tied with Young John. She asks to be given the chance to choose her own fate and Young John asks to be given the chance to get to know her and become her friend, possibly winning her hand in marriage, or possibly not. The plot to Brave is similar to that of Atalanta, and Merida would like to change her fate the way that Atalanta changed hers. But in order to change her fate, Merida must come to grips with her relationship with her mother. She hopes that if she can change her mother, that will change her fate. But changing her mom into a bear is not exactly what she had in mind, especially as her father is the “bear king” who kills every bear he finds. I enjoyed the scenes of her mother trying to act like a proper woman while a bear. The flouncing walk and attempts to use silverware made from tree branches are particularly funny. But there are other humorous touches. The triplets are hilarious whether they are three ginger boys making trouble or as three bear cubs, as is Billy Connolly playing her father. There are some scary scenes in Brave. Mor’do, the evil bear, was scary, but Merida and then her mother are both willing to stand up to him, and it’s not surprising that a bear would attack. But overall, it’s not any scarier than the other Pixar films and in many ways is less scary than Charles Muntz (“Up”) and much less disturbing than Lotso (“Toy Story 3”). If you’ve read any other reviews, you know how beautiful this movie is. There are scenes that look almost photo realistic. Merida’s hair is wiry and wild and amazing on screen. And even her riding looks realistic (although I don’t know anyone who could stay on his back through some of the jumps he does). Scotland got some great PR in this movie. I loved Brave, and I look forward to when it comes out on BluRay, so that I can watch it with my son over and over again. It was a fun story and a great message about choosing your own fate, not blindly going along with what other people want for you. And this message is true for girls and boys.

Children of Men

Sat, 24 Mar 2007 18:50:21 +0000

“Children of Men” (2006) Starring: Julianne Moore, Clive Owen and Chiwetel Ejiofor Directed by: Alfonso Cuarón This movie came out a while ago, but I was lucky enough to see it in the theatre, even though my local theatres don’t usually play art films or nearly any film that isn’t first run. I don’t like to have to drive to Seattle just to see a film, so it’s nice when the local theatres get something new. I learned of “Children of Men” from a friend who isn’t a fan of Science Fiction. She had seen it and told me I had to see it, no matter what. And she was right. As I said to her “this is why I read and watch Science Fiction.” The best Science Fiction is fiction that makes you think and this movie does exactly that. This is a movie about a near future where the human race has stopped having children. This has caused panic and insanity and a lot of terrorism. On the surface, this movie is a classic of scifi — a post-holocaust society. Only the holocaust is more subtle than a nuclear war or asteroid destroying the world. But what I like best about this movie is the twist. It’s not just a post-holocaust, you see, the human race has stopped having children. But one girl is pregnant. There is a scene where a huge fire fight has occurred in the refugee ghetto when the baby is born in the middle of it. Baby and mother come down the stairs and as the soldiers see her, they put their guns down and stare in awe. They, just like the mother, have never seen a baby human before. Some drop to their knees, others cross themselves, and all fighting stops. It was a hugely moving scene. Even if you don’t normally like Science Fiction, you’ll like this movie. That same friend I mentioned at the beginning of this article responded to my comment “but this isn’t really Science Fiction, is it?” Yes, I believe it is, but beyond that it’s just good fiction.

Sky Captain and the World of Tomorrow

Wed, 08 Sep 2004 11:23:26 +0000

Last night I had the opportunity to see a pre-screening of Sky Captain and the World of Tomorrow (Jude Law, Gwyneth Paltrow, Angelina Jolie). This was a fun, over-the-top fantasy set in the 30s, the golden era of Science Fiction. Giant robots attack New York City, and rayguns that shoot concentric circles set the stage for a journey back to the Science Fiction of Jules Verne and Edgar Rice Burroughs. If you’ve been reading SciFi for a long time, you will probably love this movie. It has a lot of charm and the style is very reminiscent of old-style Science Fiction. I love the ray gun. How can you not love a movie that has a ray gun? Movie fans who loved Superman will see a lot of similarities in style to this film. There are also references to the War of the Worlds and King Kong. If you are a fan of CGI work, this is also another good reason to go see this film. In the commentary by the director after the film, he said that every scene was composited with CGI. Items that the actors touched (like the ray gun) were real, but anything they just looked at or stood near was most likely CGI. This kept the price down, but it also meant that the actors had to do a lot of imagination just to get through their scenes. The principles worked together on set (Jolie was filmed over only 3 days), but any extras were filmed alone in front of blue screens and then composited into the shots. Sir Lawrence Olivier is even in the movie! Go see this movie! It is fun and great scifi and you’ll love it.